Moments Musicaux, gespeeld door Ashkenazy, misschien wel de beste vertolker van sergeï's muziek.
Je hebt goede en minder goede vertolkingen van klassieke muziek, vandaar dat er zoveel uitvoeringen bestaan en steeds opnieuw uitvoeringen bijkomen.
Vladimir Ashkenazy is een van de meest getalenteerde vertolkers van de muziek van Rachmaninov.
In deze opname van Moments Musicaux gespeeld door Ashkenazy, komt het 'zoekende' aspect, typisch voor de russische idioom (muziektaal) bovendrijven.
Vergelijk met de prelude Op. 22 n° 3 van zijn klasgenoot Alexander Scriabin. Deze prelude is geïnspireerd door de nocturnes van Chopin, die op hun beurt weer geïnspireerd zijn door de Ierse pianist John Field...
John Field , de echte pionier van het romanticisme...
John Field (1782-1837)
John Field was born in Dublin, Ireland on July 26, 1782. He moved with his family to London where he became the favorite pupil of Muzio Clementi and began an apprenticeship with him for seven years. During that time, in return for lessons in technique and composition, Field worked as a salesman for Clementi, demonstrating and selling Clementi’s pianos.
Field launched his career as a composer/pianist with the performance of his Piano Concerto No. 1 at the King's Theatre in 1799.
Together with Clementi, Field traveled to Paris, Vienna, and St. Petersburg. Field enjoyed great success as a teacher and composer (Mikhail Glinka was one of his pupils). In 1821, Field moved to Moscow where he continued to perform, but, due to an increasing alcohol addiction, would produce no significant compositions for the next decade (he got to be nicknamed “Drunken John”).
In 1831, Field was diagnosed with rectal cancer. He returned to London where he underwent a partially successful operation. After recovery, the musical establishment welcomed him, and he performed several concerts in London and Manchester. While in England, Field met Felix Mendelssohn and Moscheles, who spoke of his "enchanting legato, his tenderness and elegance, and his beautiful touch." However, his reception by the musical public was less enthusiastic. Field then traveled to Paris where his reception was again mixed. On December 25, 1832, he performed his last major work, the Piano Concerto No. 7 at the Salle du Conservatoire. In Paris, Field heard Liszt play, and (bewildered by Liszt's pyrotechnics) asked his neighbor, "Does he bite?"
In 1833, Field toured Europe as a pianist, but the spring of 1834 he was too ill to play in public anymore. After a number of surgeries and several months in hospital, he was brought back to Moscow due to the help of a family of Russians. He recovered sufficiently and gave three concerts in Vienna, where he was briefly the guest of Carl Czerny. Returning to Moscow in September of 1835 he lived another sixteen months before his death on January 11, 1837.
Field wrote a significant amount of music for piano solo or piano in combination with other instruments, including seven piano concertos, but he is best known for his creation of the Nocturne as a genre. Apart from the Nocturnes, which were a seminal influence on Chopin, he wrote sonatas, marches, variations, and other piano works.
Musicians have largely adopted the view that John Field was a true pioneer of Romanticism.